“liuwei_1020”通过精心收集,向本站投稿了6篇八用英语怎么写,下面是小编为大家整理后的八用英语怎么写,欢迎阅读与收藏。

篇1:常用服装英语缩写(八)
ldp:landed duty paid.据我了解好像是要空运,负责运费,保险费,出口清关,送至指定地点而且还要负担出口商品在进口国的捐税,是所有的贸易术语里出口方义务最重的一个,现在在美国比较流行。
ah.(armhole)袖笼
a.s.(arm size)肘围
b.(bust)胸围
(bottom)脚口,下摆
b.c.(biceps circumference) 上臂围;袖宽
b.d.(bust depth)胸高
(back depth)后腋深
b.l.(back length)后长
(bust line)胸围线
b.n.(back neck)后领围
b.n.p.(back neck point)后颈点
b.p.(bust point)胸高点,乳峰点
b.r.(back rise)后(直)裆
(body rise)股上
b.s.l.(back shoulder line)后肩线
b.t.(bust top)乳围
b.w.(back width)后背宽
c.(chest)胸围
c.b.(centre back)后中长
c.f. (centre front)前中长
c.l. (coat length)衣长
c.p.l.(collar point length)领尖长
c.p.w.(collar point width)领尖宽
c.w.(cuff width)袖口宽
d.b.(double breast)双排钮
e.c.(elbow circumference)肘围
e.l.(elbow length)肘围
(elbow line)肘线
e.p.(elbow point)肘点
f.d.(front depth)前腋深
f.l.(front length)前长
f.n.(front neck)前领围
f.n.p.(front neck point)前颈点
f.r.(front rise)前浪
f.s.(fist size)手头围
f.w.(front width)前胸宽
h.(hip)臀围
h.l.(hip line) 臀围线
(head length)头长
h.s.(head size)头围
i.(inseam)内长
i.l.(inside length)股下,下裆长
k.l.(knee line)膝围线
l.(length)衣(裤,裙等)长
m.h.(middle hip)中臀围
m.h.l.(middle hip line)中臀围线
n.(neck)领,颈
n.h.(neck hole)领圈,领口
n.l.(neck length)领长
n.l.(neck line)领围线,领口线
n.p.(neck point)颈点;肩顶
n.r.(neck rib)领高
n.s.(neck size)颈围
n.s.p.(neck shoulder point)颈肩点
n.w.l.(neck waist length)背长
o.s.(outside seam)外长
p.s.(palm size)掌围
p.w.(point width)乳间宽,乳中
s.(sleeve)袖长
(shoulder)肩宽
s.b.(single breast)单排钮
(slack bottom) 裤脚口
s.c.(stand collar) 领座
s.d.(scye depth) 腋深
s.l.(sleeve length)袖长
(skirt length) 裙长

s.n.p.(shoulder neck point)肩颈点
(side of neck point)旁颈点
s.p.(shoulder point)肩点
s.s.(sleeve slope)肩斜
s.s.p.(shoulder sleeve point)肩袖点
s.t.(sleeve top)袖山
s.w.(shoulder width)肩宽
t.l.(trousers length)裤长
t.r.(trouser rise)裤(直)裆
t.s.(thigh size)腿围
w.(waist)裤(裙)腰,腰节;腰围
w.l.(waist line)腰围线,腰节线
篇2:实例学用CorelDRAW9(八)
八、学用立体工具(CorelDRAW),
在这一小节开始之前,我先说明一个事实:CorelDRAW9始终是CorelDRAW9,他不是3D MAX,也就是说,CorelDRAW9是二维软件,而不是三维软件,虽然他也能制作出类似三维的效果来。但是,请你别去相信他,因为CorelDRAW9骗了你,而且,你的眼睛也骗了你。
即使如此,“互动式立体化工具”的吸引力依然无可比拟,而CorelDRAW9也就主要依靠这个工具来欺骗你。
下面让我们开始实例,了解这个工具。了解他之后,你就不会再受骗了。
第一步:建立美术字CorelDRAW。如图37。
(图37)
不知你发现没有,我始终翻来覆去的使用几个实例?其实,这只是想证明一个事实:在CorelDRAW9中,你可以对一个对象进行种种不同的处理,生成各种完全不同的效果,或用种种不同的方法生成完全相同的效果。(哦,还有一点,我这个人太懒,哈哈。)
第二步:点取“互动式立体化工具”。
“互动式渐变工具”菜单中第五个工具就是他了,一个长方体的图案。这时,激活了“立体化工具”的属性条,这时,属性条上唯一处于激活状态的按钮是“点阵图立体化模式”,先别管他,继续我们的工作。
第三步:制作初步的立体图。
在画面中单击并拖动鼠标,你会看到文字被立体拉伸了,松开鼠标,拖动白色的滑块,把拉伸的深度调整到足够,如图38那样。
(图38)
效果很模糊?别急,别急。这时,属性条上的其他按钮也激活了。
第四步:变换视角。
点击“立体化类型”上面的三角形,在下拉菜单中选择一个你认为效果比较不错的就行了(假设为第二行右边那个),看看画面的变化:如图39
(图39)
看着现在这种样子,是不 械慵绷耍柯慢来,我们一步一步走到…?/font>
第五步:增加深度。
这时,如果你还保持上一步的状态,就没办法增加深度了,请恢复一步,返回到第三步中去,“境加深度”控制被激活了,在其中输入一个数值,回车,
看看图40,明白了吧?和第二步中我们移动的那个白色滑块的功能一样。
(图40)
第六步:调整消失点位置。
向右一点点,有两个并行的控制框,用他,就可以控制消失点的位置了。消失点?就是建立拉伸时拖动的第一个控制点(不是白色那个,是两条知黑线交叉的那个)。不用说你也知道怎么控制了,对吧?
第七步:改变消失点属性。
再向右看一点点,就是那个控制消失点属性的控制框了,这玩意儿在画面上是找不到的哦,非靠他不可了,要不要介绍一下?
他有一个下拉菜单,其中包括四个选项:“消失点锁定至页面”、“消失点锁定至物体”、“复制消失点效果”、“共用消失点”。
1、消失点锁定至页面:用他固定消失点在画面中的一个位置,这时移动物体,消失点的位置不会作任何改变。
2、消失点锁定至物体:和锁定至页面相反,把消失点锁定在物体上,如果移动物体,消失点会随之移动。
3、复制消失点:这没什么特殊的地方,也就是一物体在另一物体中复制消失点(当然,消失点的属性是相同的,不过注意:方向是不能复制的,仍然会保持独立)。
4、共用消失点:你有没有翻过一些美术基础方面的书?如果有,你一定能很清楚的想象出来:这是焦点透视,无数个对象只有一个消失点。这种控制相当实际,至少我觉得。
休息一下,接着我们进行下一步。
第八步:旋转一定角度。
跳过两个按钮,那个用虚线框表示的图标就是“立体化旋转”按钮了,点击他,出现旋转码头工,在C Y Z 三个座标轴控制框中输入相应的数值,回车,请看效果:(图41)
function ImgZoom(Id)//重新设置图片大小 防止撑破表格 { var w = $(Id).width; var m = 700; if(w < m) { return; } else { var h = $(Id).height; $(Id).height = parseInt(h*m/w); $(Id).title = “点击小图看大图”; $(Id).width = m; $(Id).onclick = function{ created($(Id).src)}; } } window.onload = function() { var Imgs = $(“content”).getElementsByTagName(“img”); var i=0; for(;i'; $(“append_parent”).appendChild(imgdiv); } function recover(imgdiv){ imgdiv.outerHTML = “”; }
篇3:房地产英语八
房地产英语(八)
Receipt
收据
Received from Mr. Jerome Kern the sum of EIGHT HUNDRED YUAN Only (Renminbi) on July 2nd, , being the rent for the month of June for the premises occupied by him at 127 Qingzhu Road, Shenzhen.
Liu Ming
兹收到杰罗姆・科恩先生7月2日交纳的捌佰元整(人民币)。该款项是其为居住在深圳青竹路127号所交纳的7月份租金
刘明
Receipt Due Bill
借据
3500.00 May 26, 2001
Six months after date, for value received, I promise to pay to Mr. Li Dong the sum of three thousand and five hundred Yuan(renminbi)with interest at 3% per month.
Wu Ming
借款额:叁仟伍佰元
借款日期:205月26日
我承诺在开票后六个月之内归还李冬先生人民币参仟伍佰元整,并付利息 3%。
吴明
IOU
借条
April 2nd, 2001
To Mr.John Bausman,
IOU Dollars three hundred only ($ 300.00).
Wang Min
致约翰・包斯曼先生:
本人欠您美元参佰元整。
立据人:王敏
2001年4月2日
Reckoning Tab
帐单
Mr.___,
Bought from______ gallery:
1 Oil Painting U.S. $ 1500.00
1 Frame for the above U.S.$ 200.00
Total: U.S.$ 1700.00
___ 先生:
您从____画廊购得:
油画一幅 价值:1500.00美元
画框一副 价值:200.00美元
共计:1700.00美元
2. Selling Office Property
2. 出售办公室物业
Scene: Wing Fok Agency
场景:永福代理行
A: Agent - Peter Lee
物业代理李彼得
B: Client - Mrs. Chen
陈太太
A: Good afternoon, Madam. May I help you?
午安,太太,我可以帮你吗?
B: Yes, I'm looking for an office unit for sale.
好的,我正在寻找一个出售写字楼单位。
A: Have a seat please.(Peter Lee passes his business card to the client.)My name is Peter Lee.
请坐。(李彼得将名片交给客户)我叫李彼得。
B: Thank you. I am Mrs.Chen. I would like to buy an office at around two point five million Hong Kong dollars.
谢谢,我是陈太太,我想买一个约值港币二百五十万的写字楼。
A: How about the size?
你想要什么面积的`单位?
B: Around five hundred square feet.
约五百平方英尺。
A: Do you prefer any particular location or building?
你有没有特别喜欢的地区或大厦?
B: Yes, I like the office property in Mong Kok because I used to rent an office around there.
有,我较喜欢旺角区的写字楼,因为我曾经租用该区的一个写字楼单位。
A: Where did you work before?
你以前在哪里工作?
B: Mong Kok Centre Phase 2.
篇4:英语谜语 (八)
71.What two things can't you have for breakfast?
72.What do most gardeners not like to grow?
73.If a band plays in a thunderstorm,who is most likely to get hit by lightening?
74.If you were to throw a white stone into the Red Sea, what would it become?
75.How many sweets can you put into an empty bag?
76.How can you leave the room with two legs and return with six legs?
77.How could you fall off a twenty-foot ladder and not get hurt?
78.I unwrapped a lump of sugar and put it in my coffee. The sugar didn't get wet.Why?
79.If it takes three and a half minutes to boil one egg, how long does it take to boil four eggs?
80.If three birds are sitting on a fence and you shoot and kill one of them,how many will be left?
Keys ( VIII )
71.Lunch and supper.
72.They don't like to grow their age.
73.Conductors are.
74.It remains a white stone.
75.One sweet.Because a second sweet can't be put into an empty pocket.
76.Fetch a chair somewhere ,and you'll understand it.
77.The ladder might be lying on the ground instead of against a wall.
78.You have not had water yet.
79.Three and a half minutes.
80.One - the dead one.
篇5:英语日记八
It was the first day of our winter holiday. All of us were very happy. Why? Because we have one months to do things we love to do. We are free. Although we have some homework. But we can finish them in several days. And the rest time we can make good use of. My god! We have been very tired after hard studying. In winter holidays, I want to have full sleep and eat good food in order to replenish myself. Last but not the least, I will have a good rest.
这是我们的冬季假期的第一天。我们所有的人都非常高兴。为什么呢?因为我们有一个月的事我们都爱做的事。我们是免费的。虽然我们有一些功课。但是,我们可以在几天内完成它们。而其余的时间我们可以好好利用。我的上帝!我们已经经过艰苦的学习非常累。在冬季假期,我希望能有充分的睡眠和以充实自己吃的好食物。最后但并非最不重要,我会好好休息。
篇6:英语专八作文
In my opinion, originality创意, 新奇is not important in language learning. The reason why I think so is that language learning does not need originality as a vital condition条件.
Originality is less important to an English learner. A case in point恰当的例子 is in pronunciation. Every English learner has to spend a long and boring period of time on a large amount of大量 training of pronunciation. During those days, what students do is to try their best to imitate teacher's pronunciations about English words and make the sound of them, and then repeat them time by time. To an English learner, the experience is of great use很有用 to improve his pronunciation. From this case we can see clearly the great importance of imitation or repetition rather than originality or creativity in the beginning of language learning.
Originality refers to creativity which amounts to changes, but there are many formed rules which cannot be changed in language, such as grammatical rules. We cannot create a new grammatical rule. It is the same that we cannot speak or write a language at will随意, 任意. If one who speaks English wants to make the other peopler understand him, he must speak it according to English grammar; otherwise nobody would understand him. Therefore, there is no originality in grammar learning of language.
I do not think originality is important in language learning. It does not follow that originality is useless. It is when one masters a language and learns to use it that originality could give him a great beneficial help.










