英语阅读GRE阅读提速方法跳读细节技巧

“柚子加新鲜”通过精心收集，向本站投稿了5篇英语阅读GRE阅读提速方法跳读细节技巧，以下是小编收集整理后的英语阅读GRE阅读提速方法跳读细节技巧，仅供参考，欢迎大家阅读。

英语阅读GRE阅读提速方法跳读细节技巧

篇1：英语阅读GRE阅读提速方法跳读细节技巧

GRE阅读提速方法跳读细节技巧汇总指点

GRE阅读尽量保证不重读回读

充分利用自己的语法知识，时刻把握句子主干，修饰成分要毫无感觉得快速浏览(这里的“毫无感觉”不是略读，而是不希望过多的修饰成分或插入成分影响对句子主干的理解，这四个字需要自己体会)。

GRE阅读中需做好定位标记

除了大写字母、时间年代、最高级、转折标志词、因果标志词、列举、让步、强对比以外，还要标记出并列连接词(如and)、分号、冒号、表示作者态度的词(这个比较难，需要自己体会收集)，原因我会在下面的取舍中谈到。我的做标记的小窍门：标记符号不要只用一种(如下划线)，也不要过多，个人感觉最多三种(如括号、圆圈、下划线)，分别标记原因、转折和其他，不过我自己只用下划线和括号。

GRE阅读提速需学会取舍适当跳过

标准是：

a)让步分句(如：带although的分句、带it is true的分句、带do的分句等)一律跳过(但是用括号括起来)，只看后半个分句;

b)such as后的内容一律跳过，也用括号括起来，不过我会数数列举的个数，如果是4个，则必出题，其他个数不用管，出题了再回头看;

c)for example举例只要提炼关键词的首字母就可以了，也要括起来，重点看后面或前面的结论。

d)原因——标志词常为BECause、since——一律跳过，括起来，只看结果。比较容易被忽略的是result in和result from，遇到这两个，我在下面划横线做标记。

e)老观点只把握关键词、知道讲的是什么就行，其他一律跳过。

f)冒号后一律跳过，冒号下做标记。

g)分号后一律跳过，因为表示并列，内容和前面大体一致，分号做标记，出题的话再回来看。

现在的标准是：上面这些全看，因为速度上来了，但看这些内容时仍然是“毫无感觉”地看，可以不用担心它们会分散注意力了。

当这些内容都做标记后，文章结构就非常清楚了，哪儿是举例、哪儿是结论、哪儿是原因、哪儿是转折一目了然，定位非常容易。

反复阅读文章培养阅读直觉

反复阅读已经读过的文章，5遍左右吧!慢慢地就会产生一种直觉，知道哪里略读哪里重读。

GRE阅读需要你去突破的五大境界

其实你不懂我的心

对文章的套路把握不好，作者的重心把偏，观点看反，直觉就一篇文章自以为看懂，其实没懂，而把题目作错。

一天到晚游泳的鱼(bottleneck)

11题作对6、7题，原因主要有4：速度不够快，时间压力下能看懂的东西看不懂;抽象词不理解，造成大量的似是而非的理解;答题技巧不够;看不出行文的逻辑关系及行文呼应。

读你千遍也不厌倦

11题解对9题以上，但是时间还是紧张，但是感觉与前面大相径庭，主要有三个变化：再读以前的文章，发现内容大变;一开始作对的主题题型现在反而解错，当再解对时正式进入第四阶段;选项的正误敏感性已经有了直觉上的认识。

我终于失去了你

到达最高境界，但前提条件是你已经走出了GRE考场的大门，当你沮丧的要丢掉所有资料的一刹那，若你重新翻开最难的一篇阅读，再静心一做的话，你会发觉你突然终于全部作对。在这里，我不得不对这个最高境界作出纠正，事实已经让我可以负责地说在考前将题全作对是完全可能的，只要你有决心，突破孤独，失败，屈辱的门槛就一定可以实现，笔者今天正是站在这个高度说出来，心里负荷着相当重量的压力及为此付出的沉重代价，如果你们中有人有这个决心，那么这个“无底洞”也会被你看穿。

集中突破过程：

(1)从NO4开始，掐时间读一篇文章，长文章1.5——2分钟，短文章1——1.5分钟，然后以平均每题1分钟的速度解完后面的题。注意是“平均”，即你只要控制在比如7题在7分钟内作完即可!

(2)然后看哪些题作错，为什么会作错。主要有以下两类供参考：①看错，主要分为：定位错误;题干词NOT，EXCEPT，LEAST，ERR等看错;选项没看懂，诸如untreated理解成“无可救药”的，其实是“未经治疗的”，无可救药的应该是untreatable!②想错：中国式思维≠美国式思维≠ETS的思维，我们所要作的就是中国式思维与ETS的思维间建立直觉联系。

(3)把文章不计时间地仔细研究一遍，主要研究层次结构，起承转合，语言套路及选项特征，“以其所正正其所不正”。

(4)此时对后面的所有问题作如下三个工作：①不论作对或作错，想一下此题的解题思路是什么，是否具有多种解题方案，自己距离某种解题方案还有什么缺陷或不足，什么样的方法最适合我。②最短的一条路是什么③把每道题的五个选项都找出对或错的理由来，一定要是让自己信服的理由。可能有人达到一定高度觉得没必要，太费时，但是有些看来现在很友好的错误项只要改动一点就能要你的命，你信不信?所以你不要这么做，一定要仔细看过，找到它的弱点，其中有什么困难，笔者就自己的经历推荐大家参考两本书：吴中东的《GRE阅读高分快速突破》或思马得的《GRE阅读》，这里都有译文和注解，可以减少大家的盲点和理解误区，当然若有更好的书，你完全可以自己决定，也希望你能告诉我，一起交流。

(5)找出文中自己不熟悉的抽象词与难句，反复操练。所谓“抽象词”，《难句》一书有介绍，这里从略。永远记住：阅读是读“意思”，不要用“中文翻译思维”(看到一组词就用中文词义理解)去读，更别去用语法，“意思”是种比爱情更朦胧的东西，你说不准，但你作题时你就是知道答案是什么，答案长啥样，记住啊!

GRE阅读如何解决过目就忘的问题

我的观点是，记不住还有一个原因就是想记住的太多了，每句话都一样的去读，一样的去记，其结果就是都没记住，都和没读似的。不妨试着先只挑自己觉得最重要的话来记，比如TS(Topic Sentence)，每段首句、一些重要考点……其余的没有余力先放过去，体会一下记住这些句子对做题和定位是不是比以前全文都努力记效果要好一点。下一步就是反过来推，根据你做过的题目来推原文应该记住什么，或者什么你记住了但是没用，经常小结一下需要记的东西，其实GRE阅读应该记忆和值得记忆的东西非常有规律，很好总结的。长此以往，就可以形成读原文和记忆的重点了。一个很简单的道理，你有10分力，如果花到10个点上，每个只有1分，如果只花到3个点上，每个都能有3.333333的力，自然对这3个点理解更深，记忆更清晰，把握的更好了。

最后，我想推荐一些文章，读者可以试着快速的读并分析一下这些文章，看看他们什么地方值得关注，什么地方应该略读，详略得当读原文需要不断的练习和总结，方能达到炉火纯青的境界：92年2月GRE考试题section6长，GRE No.8第三套section5短，GRE No.6第三套section2长，1994年10月GRE考试题section6短。

GRE阅读提速方法跳读细节技巧

篇2：GRE阅读提速方法跳读细节技巧指点

GRE阅读提速方法跳读细节技巧汇总指点

GRE阅读尽量保证不重读回读

GRE阅读中需做好定位标记

GRE阅读提速需学会取舍适当跳过

标准是：

a)让步分句(如：带although的分句、带it is true的分句、带do的分句等)一律跳过(但是用括号括起来)，只看后半个分句;

b)such as后的内容一律跳过，也用括号括起来，不过我会数数列举的个数，如果是4个，则必出题，其他个数不用管，出题了再回头看;

c)for example举例只要提炼关键词的首字母就可以了，也要括起来，重点看后面或前面的结论。

d)原因——标志词常为BECause、since——一律跳过，括起来，只看结果。比较容易被忽略的是result in和result from，遇到这两个，我在下面划横线做标记。

e)老观点只把握关键词、知道讲的是什么就行，其他一律跳过。

f)冒号后一律跳过，冒号下做标记。

g)分号后一律跳过，因为表示并列，内容和前面大体一致，分号做标记，出题的话再回来看。

现在的标准是：上面这些全看，因为速度上来了，但看这些内容时仍然是“毫无感觉”地看，可以不用担心它们会分散注意力了。

当这些内容都做标记后，文章结构就非常清楚了，哪儿是举例、哪儿是结论、哪儿是原因、哪儿是转折一目了然，定位非常容易。

反复阅读文章培养阅读直觉

反复阅读已经读过的文章，5遍左右吧!慢慢地就会产生一种直觉，知道哪里略读哪里重读。

以上就是小编为大家介绍的GRE阅读提速的一些技巧和细节经验，希望大家能够参考学习。

新GRE阅读长难句中译英练习

51. Unlike most of the world's volcanoes, they are not always found at the boundaries of the great drifting plates that make up the earth's surface; on the contrary, many of them lie deep in the interior of a plate.

52. The relative motion of the plates carrying these continents has been constructed in detail, but the motion of the plates with respect to another cannot readily be translated into motion with respect to the earth's interior.

53. As the dome grows, it develops seed fissures (cracks); in at least a few cases the continent may break entirely along some of these fissures, so that the hot spot initiates the formation of a new ocean.

54. While warnings are often appropriate and necessary--the dangers of drug interactions, for example--and many are required by state or federal regulations, it isn't clear that they actually protect the manufacturers and sellers from liability if a customer is injured.

55. At the same time, the American Law Institute--a group of judges, lawyers, and academics whose recommendations carry substantial weight--issued new guidelines for tort law stating that companies need not warn customers of obvious dangers or bombard them with a lengthy list of possible ones.

51.[参考译文]跟世界上的大多数火山不同的是，它们(热点)并不总是在由构成地球表面巨大漂流板块之间的边界上出现;相反，它们中有许多位于一个板块较纵深的内部。

52.[参考译文]携带这些大陆板块的相对运动已经能够被详细地表述出来，但是这些板块相对于另一些板块的运动还不能轻易地解释为它们相对于地球内部的运动。

53.[参考译文]随着这个穹窿的增长，他会发展成一个裂缝，经过几次变化之后，大陆可能会沿着这个裂缝完全形成一个新的海洋地貌。

54.[参考译文]尽管警告常常是适当而且必须的--比如对于药物相互作用的危险提出警告--许多警告还是按州或联邦政府规定要求给出的，然而(我们)并不清楚，如果顾客受到伤害时，这些警告是不是确实可以使得生产者和销售者豁免责任。

55.[参考译文]与此同时，美国法律研究所--由一群法官、律师和理论专家组成，他们的建议分量极重--发布了新的民事伤害法令指导方针，宣称公司不必提醒顾客注意显而易见的危险，也不必连篇累牍地一再提请他们注意一些可能会出现的危险。

GRE阅读练习每日一篇

The transfer of heat and water vapor from the ocean to the air above it depends on a disequilibrium at the interface of the water and the air. Within about a millimeter of the water, air temperature is close to that of the surface water (surface water: n.[地]地表水), and the air is nearly saturated with water vapor. But the differences, however small, are crucial, and the disequilibrium is maintained by air near the surface mixing with air higher up, which is typically appreciably cooler and lower in water-vapor content. The air is mixed by means of turbulence that depends on the wind for its energy. As wind speed increases, so does turbulence, and thus the rate of heat and moisture transfer. Detailed understanding of this phenomenon awaits further study. An interacting—and complicating—phenomenon is wind-to-water transfer of momentum that occurs when waves are formed. When the wind makes waves, it transfers important amounts of energy—energy that is therefore not available to provide turbulence.

17. The primary purpose of the passage is to

(A) resolve a controversy

(B) describe a phenomenon

(D) confirm research findings

(E) classify various observations

18. According to the passage, wind over the ocean generally does which of the following?

I. Causes relatively cool, dry air to come into proximity with the ocean surface.

英语阅读GRE阅读提速方法跳读细节技巧 II. Maintains a steady rate of heat and moisture transfer between the ocean and the air.

III. Causes frequent changes in the temperature of the water at the ocean’s surface.

(A) I only

(B) II only

(D) II and III only

(E) I, II, and III

19. It can be inferred from the passage that the author regards current knowledge about heat and moisture transfer from the ocean to air as

(A) revolutionary

(B) inconsequential

(D) derivative

(E) incomplete

20. The passage suggests that if on a certain day the wind were to decrease until there was no wind at all which of the following would occur?

(A) The air closest to the ocean surface would become saturated with water vapor.

(B) The air closest to the ocean surface would be warmer than the water.

(D) The rate of heat and moisture transfer would increase.

(E) The air closest to the ocean would be at the same temperature as air higher up.

Extraordinary creative activity has been characterized as revolutionary, flying in the face of what is established and producing not what is acceptable but what will become accepted. According to this formulation, highly creative activity transcends the limits of an existing form and establishes a new principle of organization. However, the idea that extraordinary creativity transcends established limits is misleading when it is applied to the arts, even though it may be valid for the sciences. Differences between highly creative art and highly creative science arise in part from a difference in their goals. For the sciences, a new theory is the goal and end result of the creative act. Innovative science produces new propositions in terms of which diverse phenomena can be related to one another in more coherent ways. Such phenomena as a brilliant diamond or a nesting bird are relegated to the role of data, serving as the means for formulating or testing a new theory. The goal of highly creative art is very different: the phenomenon itself becomes the direct product of the creative act. Shakespeare’s Hamlet is not a tract about the behavior of indecisive princes or the uses of political power; nor is Picasso’s painting Guernica primarily a propositional statement about the Spanish Civil War or the evils of fascism. What highly creative artistic activity produces is not a new generalization that transcends established limits, but rather an aesthetic particular. Aesthetic particulars produced by the highly creative artist extend or exploit, in an innovative way, the limits of an existing form, rather than transcend that form.

This is not to deny that a highly creative artist sometimes establishes a new principle of organization in the history of an artistic field; the composer Monteverdi, who created music of the highest aesthetic value, comes to mind. More generally, however, whether or not (whether or not: 无论是...或..., 是否) a composition establishes a new principle in the history of music has little bearing on its aesthetic worth. Because they embody a new principle of organization, some musical works, such as the operas of the Florentine Camerata, are of signal historical importance, but few listeners or musicologists would include these among the great works of music. On the other hand, Mozart’s The Marriage of Figaro is surely among the masterpieces of music even though its modest innovations are confined to extending existing means. It has been said of Beethoven that he toppled the rules and freed music from the stifling confines of convention. But a close study of his compositions reveals that Beethoven overturned no fundamental rules. Rather, he was an incomparable strategist who exploited limits—the rules, forms, and conventions that he inherited from predecessors such as Haydn and Mozart, Handel and Bach—in strikingly original ways.

21. The author considers a new theory that coherently relates diverse phenomena to one another to be the

(A) basis for reaffirming a well-established scientific formulation

(B) byproduct of an aesthetic experience

(D) synthesis underlying a great work of art

(E) result of highly creative scientific activity

22. The author implies that Beethoven’s music was strikingly original because Beethoven

(A) strove to outdo his predecessors by becoming the first composer to exploit limits

(B) fundamentally changed the musical forms of his predecessors by adopting a richly inventive strategy

(D) manipulated the established conventions of musical composition in a highly innovative fashion

(E) attempted to create the illusion of having transcended the musical forms of his predecessors

23. The passage states that the operas of the Florentine Camerata are

(A) unjustifiably ignored by musicologists

(B) not generally considered to be of high aesthetic value even though they are important in the history of music

(D) often inappropriately cited as examples of musical works in which a new principle of organization was introduced

(E) minor exceptions to the well-established generalization that the aesthetic worth of a composition determines its importance in the history of music

24. The passage supplies information for answering all of the following questions EXCEPT:

(A) Has unusual creative activity been characterized as revolutionary?

(B) Did Beethoven work within a musical tradition that also included Handel and Bach?

(D) Who besides Monteverdi wrote music that the author would consider to embody new principles of organization and to be of high aesthetic value?

(E) Does anyone claim that the goal of extraordinary creative activity in the arts differs from that of extraordinary creative activity in the sciences?

25. The author regards the idea that all highly creative artistic activity transcends limits with

(A) deep skepticism

(B) strong indignation

(D) moderate amusement

(E) sharp derision

26. The author implies that an innovative scientific contribution is one that

(A) is cited with high frequency in the publications of other scientists

(B) is accepted immediately by the scientific community

(D) presents the discovery of a new scientific fact

(E) introduces a new valid generalization

27. Which of the following statements would most logically concluded the last paragraph of the passage?

(A) Unlike Beethoven, however, even the greatest of modern composers, such as Stravinsky, did not transcend existing musical forms.

(B) In similar fashion, existing musical forms were even further exploited by the next generation of great European composers.

(D) By contrast, the view that creativity in the arts exploits but does not transcend limits is supported in the field of literature.

(E) Actually, Beethoven’s most original works were largely unappreciated at the time that they were first performed.

答案：17-27：BAEAEDBDAEB

篇3：gre阅读提速技巧有哪些

gre考试阅读如何提速

GRE快速阅读最关键的是在扫描全文的时候把握每段的主旨，并做出标记，在看完全文后对文章的结构主题有大致的了解。gre阅读技巧,gre考试培训做题时，必须去找准确的信息。因此读者在开始阅读之前就得知道问题是什么。其实并不需要去详读一篇文章，需要做的只是surveying、scan-ning和skimming，也就是三大阅读提速技巧。

概读

Surveying——概读。概读一篇文章指的是检查文章的组织结构以了解文章的大意。概读重点往往集中在每段开头结尾等会提出观点或进行总结的关键内容上，而对于详细内容则一般会跳过。

寻读

Scanning——寻读。寻读是指在文章当中找寻诸如一个特定的词、缩写词、日期、数字或首字母缩略词等细节。当Scan(扫描)一篇文章的时候，gre阅读技巧,gre考试培训也是很快地看，但它和浏览不同。扫描是为了寻找某些特定的词句而不是文章的整体;关注的是细节而非主旨。阅读一篇文章时，可能仅仅只为了找一个百分数或者某个特定事件的发生时间，而不是这篇gre阅读考试文章的主旨。寻读可以帮助读者更有效地找到这些信息。

扫读

Skimming——扫读。扫读指迅速浏览一遍gre考试文章，而无需逐字阅读，以了解文章大意。对于需要把握文章大致整体内容的考生来说，扫读是很有用的技巧。

掌握GRE阅读中出现的转折词

GRE阅读文章中常用的转折词有7个：but, however, yet, though, nevertheless, nonetheless, still。其中前四个为强转折词，后三个为让步式转折。读到这里，有的同学可能会疑惑：though不是让步连接词吗?没错，though一般情况下做连词，连接让步状语从句(句内转折)。但是如果是在两个逗号之间的though，则是副词，相当于however。如这句话About the same time, though, scientists realized comets might contain decaying radioactive isotopes that could have warmed cometary interiors to temperatures that caused the interiors to evolve. 此句表明科学家们完全不同意前一句的看法。让步式转折只要出现，必然是考点，同时也是容易丢分的点。

下面我们来一起看一篇GRE阅读文章：

Astronomers who study planet formation once believed that comets—because they remain mostly in the distant Oort cloud, where temperatures are close to absolute zero—must be pristine relics of the material that formed the outer planets. The conceptual shift away from seeing comets as pristine relics began in the 1970s, when laboratory simulations revealed there was sufficient ultraviolet radiation reaching comets to darken their surfaces and there were sufficient cosmic rays to alter chemical bonds or even molecular structure near the surface. Nevertheless, astronomers still believed that when a comet approached the Sun—where they could study it—the Sun’s intense heat would remove the corrupted surface layer, exposing the interior. About the same time, though, scientists realized comets might contain decaying radioactive isotopes that could have warmed cometary interiors to temperatures that caused the interiors to evolve.

For the following question, consider each of the choices separately and select all that apply.

1. It can be inferred that the author would agree with which of the following statements about the “laboratory simulations”?

A. The simulations showed that despite the low temperatures in the Oort cloud, there was sufficient energy there to alter comet

B. Astronomers were initially reluctant to accept what simulation showed about the composition of comets

C. The simulations themselves did not eliminate the possibility that comets contain pristine relics of material from the early solar system.

这是一道不定项选择题。答案是AC，很多同学都选上了B选项，他们觉得 laboratory simulations这句话后马上出现了Nevertheless, astronomers still believed……..，因为nevertheless一词, 所以有的同学会觉得astronomers不会接受前一句的laboratory simulations的结果的。但是要知道，nevertheless和 nonetheless一样表示的都是让步式转折，也就是说天文学家接受前一句的实验结果，但是他们持不同的观点。所谓让步式转折就是接受前面的事实陈述部分，但是不接受观点。

GRE填空题出题原理

填空这种形式对于多年参加考试的同学来说并不陌生，之前的考试不管是考什么内容，比如语文，数学，物理等都会出现填空这种形式。我们要了解的是GRE填空这种题目类型的特点。

通过已知信息补全未知信息这种填空题源自格式塔心理学(Gestalt Psychology)，其中谈到：人们在感知不完整事物时，在内心深处总是倾向于将其补全，使之成为一个完整体。体现在填空题目中，出题人会根据信息的对应关系设置空格，需要考生找到空格对应的成分，然后判断期间的关系，进而判断所填信息的大致含义，然后在选项中进行选择。

所以我们可以把GRE填空思路概括成一个公式：

对应——空格

其中，对应是和空格有语义关系的成分，大部分是题目句子中的已知信息，在双空题和三空题中也有可能是空格间的对应;横线“——”代表信息间的关系，基本就是同向或反向的关系。比如举个中文的例子：

轻轻地我走了，正如我______ 来。

(A) 轻轻地

(B) 大义凛然地

(D) 窸窣地

(E) 惊慌失措地

即使没有听过徐志摩的《再别康桥》，根据句子的逻辑关系，也能判断出空格和“轻轻地”对应，而且由于“正如”表示了相似的关系，故选择答案A

下面给出一道官方题目：

The composer has never courted popularity: her rugged modernism seems to defy rather than to ______ the audience.

(A) ignore

(B) discount

(D) teach

(E) cow

(参见Official GRE VERBAL REASONING Practice Questions第58页第1题)

本题中，空格前有rather than这个逻辑表达，表示反向关系，同时在结构上，空格对应了defy，所以最终判断应该选择defy的反义词。defy的意思是“挑衅，蔑视”，选项中合适的是C，woo的意思是“追求，吸引”。

篇4：GRE阅读提速训练常用方法

GRE阅读提速训练常用方法

GRE阅读提速练习4大基本方法介绍

GRE阅读提速的四种基本训练方式分别是：a、意群训练;b、不回视训练;c、合理化原则推力训练;d、速度与理解力的平衡点训练。

意群训练：

以几个相邻的表示同类意思的词为阅读的对象，而不是单个的单词。同时避免发声阅读，克服内心的声音和喉头与嘴唇的颤动。

不回视训练：

保证第一遍阅读时的高度注意力，避免回视。

合理化训练：

根据文章中得上下文的逻辑推理，将不懂得地方进行合理推理。

速度与理解力的平衡点训练：

既要保证一定的阅读速度，又要保证在速度提升的同时能够理解文章的意思，避免很快看完却什么都没看懂的无用功。每个人的平衡点都不相同，需要通过大量练习来逐渐把握平衡。

GRE阅读提速备考重点讲解

1. 在进行阅读训练的过程中，只以在大脑中反映出所读英文的意思(不是中文释意)为唯一目的。什么时候考生发现自己完全消除了在阅读过程中的在大脑中的中文释意和语法分析过程，此要求即达到。

2. 眼睛在阅读材料上移动的速度要比自己在心中或喉头出生阅读的速度要快。

3. 在阅读文章时，都要注意整句的回视现象，坚持一遍就读下来。

4. 遇到不懂的地方，就用合理化推理进行推理。

5. 贵在坚持，不可半途而废。

GRE阅读提速先培养正确读文章习惯

提高阅读速度，对于阅读习惯的培养相当重要。阅读过程中，绝对不可以出声浪读，也不可以心读，而是意读。也不能单单得对一个词进行死抠，要知道阅读考的是句子和文章。只有培养出正确的阅读习惯，考生的阅读速度才能从根本上得到提升。

GRE长难句解析:想象力更深刻

In effect， in trying to demonstrate that the imagination is more profound and less submissive to the intellect than Saint-Beuve assumed， Proust elicited vital memories of his own and， finding subtle connections between them， began to amass the material for Remembrance.

译文：事实上，为了试图证明想象力要比Saint-Beuve的假设来得更为深刻，且并非那么易于屈服于理性，Proust引发了他自己的至关重要的记忆，发现它们之间不无微妙的联系，便开始为Remembrance收集材料。

解释：该句是考察复杂修饰和插入语的。句首是表目的的状语从句：in trying to demonstrate that the imagination is more profound and less submissive to the intellect than Saint-Beuve assumed。然后是finding引导的插入语隔断了前面连接句子的and的后半部分，影响了考生对整句的把握。

解法：看到句首是介词短语引导的状语从句，就先直接往后找句子主语，找到主语之后，直接跳过出现成对逗号的插入语往后看完整的句子。最后，再回头看插入语部分的补充信息对句子整体进行进一步的理解。

GRE长难句解析:照亮现实的欲望

(This is )A desire to throw over reality a light that never was might give away abruptly to the desire on the part of what we might consider a novelist-scientist to record exactly and concretely the structure and texture of a flower .(5++)复杂+倒装+省略;

GRE阅读难句训练方法倒装句的介绍!(这是一种)照亮现实的欲望，此欲望从来就不会唐突的取代后面的那种欲望，后者是我们可以将其部分的理解为一个兼任小说加和科学家的人想要去准确并具体的记录下一朵花的结构和文理的那种意义上的欲望。

解释：本句子的难度在一切GRE、GMAT包括LSAT考试中所出现的难句中堪称登峰造极，可以确定地讲，类似此句子的难度的语言，在计算机考试的现场绝无可能出现。如果对此句话不感兴趣，可以把其废掉不读。

A、这句话读起来别扭的第一个原因，是因为它根本就不是一个句子。句首省略了this is 。这种用一个词代替一个句子的方式如果在书面语中出现，只能出现在高级英语中，因此我们以前的英语学习中从未遇到过。其形式类似于我们中文的“精彩”是 “这句话真是精彩”的省略形式。GRE阅读难句训练方法倒装句的介绍!

B、desire后跟着两个大的修饰成分，一个是to throw over reality a light，其中的a light 是被倒装到了over reality之后，正常应是throw a light over reality.不过这个便装部分与throw距离不远，读者看得还算懂。关键是第二个修饰成分。注意：从that开始直到句尾结束的长长的定语从句不是修饰其前的light的，而是修饰一开始的desire的。

C、第二个修饰成分中又来了一个倒装，由于作者为了强调never,所以将其提前，引发了定语从句中的倒装：正常语序应该是that might never be given away，倒装后系动词was被提前，given因为在情态动词might之后所以变成了原型give。A give way to B，是A让位于B，而A be given way to B，则是A取代B。on the part of 之后的部分修饰后面的desire，what引导的从句现场阅读时可以看成一个名词。What从句中的不定式to recored exactly and concretely the structure and texture of a flower中又有一个避免头重脚轻的倒装，正常语序应该是to recored the structure and texture of a flower exactly and concretely。GRE阅读难句训练方法倒装句的介绍!

D、就算能够看懂这句话的结构，可能仍然理解不了意思。本句的意思是，哈代(注：人名老的冲动是一种简单的、说明现实的欲望，新冲动是一种即是小说家又像科学家的仔细研究一个东西的特点那样的欲望(新冲动)，前一种欲望是永远也不能取代后者的

意群训练：(This is )A desire to throw over reality a light that never was might give away abruptly to the desire on the part of what we might consider a novelist-scientist to record exactly and concretely the structure and texture of a flower .

英语阅读

篇5：GRE阅读提速三大技巧介绍

GRE阅读提速三大技巧介绍

概读

寻读

Scanning——寻读。寻读是指在文章当中找寻诸如一个特定的词、缩写词、日期、数字或首字母缩略词等细节。当Scan(扫描)一篇文章的时候，gre阅读技巧,gre考试培训也是很快地看，但它和浏览不同。扫描是为了寻找某些特定的词句而不是文章的整体;关注的是细节而非主旨。阅读一篇文章时，可能仅仅只为了找一个百分数或者某个特定事件的发生时间，而不是这篇文章的主旨。寻读可以帮助读者更有效地找到这些信息。

扫读

Skimming——扫读。扫读指迅速浏览一遍文章，而无需逐字阅读，以了解文章大意。对于需要把握文章大致整体内容的考生来说，扫读是很有用的技巧。

GRE阅读：长难句分析

As my own studies have advanced，I have been increasingly impressed with the functional similarities between insect and vertebrate societies and less so with the structural differences that seem，at first glance，to constitute such an immense gulf between them. (5)

随着我的研究不断深入，我对昆虫和脊椎动物群落之间的功能类似性印象愈来愈深刻，而对结构上的差异印象愈发淡漠，虽然这些结构上的差异初看上去似乎构成了二者间一条无法愈越的鸿沟。

难句类型：复杂修饰、插入语、省略

解释：本句子的中间一段impressed with the functional similarites between insect and vertebrate societies and less so with the structural differences容易令人看晕，其中的insect and vertebrate societies and less so with由两个and连接了三个部分，然而它们其实不是同一层次的并列，第一个and实际上是between insect societies and vertebrate societies的一部分，是并列的，而and之后的less so with其实是对于一个完整的表达方式I have been increasingly less impressed with的省略形式，去掉了与前面重复的成分。

后面修饰的structural differences的定语从句that seem, at first glance, to constitute such an immense gulf between them中，又出现了一个别扭的插入语at first glance，把应该连在一起的seem to 粗暴地分开，令人不熟悉此类难句的人倍感不适。

GRE阅读文章如何理解

1.剖析文章首段

积极主动地解读文章的第1段，阅读时尽量记住作者提出的问题(现象或观点)，和一些关于文章内容的概念和词汇，文章的论题是什么，作者想说什么，这些都是需要我们通过剖析首段得出的结果。

2.重现作者思路图

在脑子里或者在草稿纸上画一个文章的结构思路题。各个段落的目的是什么，主题又是什么?再次提醒，GRE阅读题考察的是你的答题能力而非阅读能力。你不必完全掌握整篇文章，了解文章中的每一个细节(其实，你也没有那么多时间)。相反，你应该只读文章段落的第1句，而快速浏览其余部分。当你“读”完这篇文章时，你就能对文章的结构思路有总体的把握。

3.通览文章留意语气过渡词

在快速阅读GRE阅读文章时，特别留意段落开头或者结尾可能出现的语气词和过渡词。这样做有助于你对作者思路的把握，从而快速掌握文章大意。

4.总结文章大意

在回答GRE阅读题前，最好花几秒钟总结一下文章的思路和主题。

5.正式答题

根据你对文章的整体思路来答题。将问题(或选项)定位到文章中具体的某个段落甚至具体的句子。这里，你可以比第3个步骤更仔细。

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