“一般小狗”通过精心收集，向本站投稿了7篇鲁迅后院的蜗牛，下面是小编为大家整理后的鲁迅后院的蜗牛，供大家参考借鉴，希望可以帮助到有需要的朋友。
篇1：鲁迅后院的蜗牛作文
鲁迅后院的蜗牛作文
鲁迅后院的蜗牛
想起朱安，眼前就浮现一口井。那深深的院落，高高的围墙，阴晦的天气，一个又一个孤寂的上午、下午，夜里颤抖的星星……无不使人联想起“心似枯井”这个词语。即使千里迢迢来到北京，在那八道湾胡同或砖塔胡同，这口井仍一如既往地空旷、孤寂，几乎令人害怕。
鲁迅反感朱安，有充分的理由。19接到“母病速回”电报，鲁迅匆匆赶回去，却发现家里一片张灯结彩，惊愕之余很快就明白了。他没有反对，甚至对家里人给他戴假辫子，也没有表示特别的不快。他知道这个时候，一切反对都于事无补。而朱安，一个过于平凡的绍兴女人，矮小，瘦弱，狭长脸，突出的额，小脚，不但毫不漂亮，连一般年轻女人的活力都几乎没有一点儿。虽然鲁迅不至于以貌取人，但我想当他看见母亲给了他这样一个“礼物”时，总不免有些寒心。如果朱安漂亮一点儿，哪怕就是像胡适原配江冬秀那样，对鲁迅可能也是个安慰。但事实就是这么残酷。当朋友向鲁迅打听成婚的事时，他自嘲地说：“是母亲娶媳妇，没有我的事。”婚后第二天晚上，他在母亲房里磨蹭，不想回去睡觉，后来干脆躺在书房里。婚后第五天，他就借口“不能荒废学业”，带着二弟周作人去日本了。
上帝的居心，有时真让人怀疑。像鲁迅这么一个走在时代前列的反封建闯将，怎么偏偏会碰上朱安这么一个最守旧最庸常的女人?鲁迅也曾想和她沟通。有一次，跟她说日本有一种甜点，很好吃。朱安马上说，是的是的，我也吃过的。她可能太自卑了，急着要讨好这位“大先生”，反令鲁迅不快。那种甜点，不但绍兴没有，整个中国都没有的。鲁老太太还知道点外面的事，能看看新书报，她是一点也看不懂。当鲁迅的学生，尤其是女学生来了，小鸟一样在院子里喳喳叫，她一句话也插不上，只能静静地呆在自己房里。她的心里，真能像外表那么平静吗?
五四之后，风气渐开，郁达夫、郭沫若等与鲁迅一样饱受旧式婚姻折磨的作家，大多挣脱了束缚，开始了新生活。也有人劝鲁迅离婚，鲁迅肯定早就彻夜不眠地考虑过，但还是难以跨出这一步。鲁迅年龄比郁达夫、郭沫若大很多，受传统影响更深，不能像郁达夫、郭沫若那样放得开，估计这是一个原因。但他主要顾虑的还是朱安。按绍兴习俗，一个嫁出去的女人被退回娘家，就会被认为是被“休”了，家人的歧视、舆论的谴责将使她处于极难堪的境地，家庭的社会地位也将一落千丈。有些性格软弱的女人竟会因此而自杀。鲁迅显然是不忍把朱安推到这样一个境地的。在《随感录四十》中，鲁迅谈到自己这一代人的婚姻：“在女性一方面，本来也没有罪，现在是做了旧习惯的牺牲。我们既然自觉着人类的道德……又不能责备异性，于是只好陪着做一世的牺牲，完结了四千年的旧账。”这正是鲁迅伟大的地方。什么是伟大?能为别人担当起痛苦，就是伟大。郁达夫、郭沫若都是浪漫、潇洒的，他们的选择在当时情况下无可指责，但显然与伟大无关。
而“陪着做一世的牺牲”的，不仅是鲁迅，还有朱安。朱安这个女子，嫁给鲁迅实在是天大的不幸。她如果嫁一个普通的男子甚至就是村夫莽汉，可能也比嫁给鲁迅幸福。贫贱平凡的夫妻总还是夫妻，朱安与鲁迅却实在算不上夫妻。她曾向人诉苦道：“老太太嫌我没有儿子，大先生终年不同我说话，怎么会生儿子呢?”一个妇人对外人说出这样的话，内心的凄楚可以想见。她日常生活的中心就是侍候鲁迅的母亲，也真应了鲁迅当年的话：“是母亲娶媳妇。”与鲁迅相比，朱安更加不幸。鲁迅忍受了漫长的煎熬，最终还是等到了他的“月亮”——许广平;而朱安，却真的“做一世的牺牲”，陪伴她的，只有年迈的鲁老太太，迟迟的日光，夜夜的空房……
过着与世隔绝一般生活的朱安，并非真的'心如枯井。其实，她一直在想着改善与鲁迅的关系，只是与鲁迅在人格、思想各方面差距实在太大，渐渐也就没有了机会。鲁迅和许广平在上海同居并生下海婴，对她是一个很大的打击。房东的妹妹俞芳问她以后怎么办，她凄凉地说：“过去大先生和我不好，我想好好地服侍他，一切顺着他，将来总会好——我好比是一只蜗牛，从墙底一点儿一点儿往上爬，爬得虽慢，总有一天会爬到墙顶的。可是，现在我没有办法了，我没有力气爬了。我待他再好，也是无用。”读了这朴实而悲惨的言辞，我不禁泪下——一只蜗牛!我怜悯朱安一生悲苦的命运，更惊异于她对自己处境的准确体认——每一个生命都有它对世界的感悟啊。哪一个文学家，就是鲁迅，也没有想到用这么一个比喻来形容朱安吧?朱安一生的苦难，只有自己知道，这个比喻，也只有她能想象得到。她没有文化，但她深知，她就是一只永远也爬不到墙顶的蜗牛。朱安因这个比喻而定格。如果把封建礼教比作一口深井，鲁迅和朱安都被困在井底，一点儿一点儿往上爬，鲁迅历尽千辛万苦，总算爬上来了，虽然遍体鳞伤;而朱安，永远爬不到头!
我止不住想，像朱安这样一个生命的诞生，究竟有什么意义呢?上帝为什么要安排这么一出荒诞得令人泪下的悲剧呢?我有一个看上去有点儿过于大胆的想法：鲁迅生命中的两个女人，朱安与许广平，若论谁对鲁迅的影响更大，不是许广平而是朱安。正是朱安，使鲁迅体味了封建礼教对人性的压抑和命运的荒诞，断了他的后路，刺激他与传统彻底决裂，一往无前、义无反顾地反抗封建礼教，与命运进行“绝望的抗争”。一个伟人的诞生，往往出于迫不得已。鲁迅文风的阴冷、偏激、滞涩，也与朱安这个背景有关。从这个意义上说，朱安成就了鲁迅。两个反差极大的生命体被捆绑到一起，激起巨大的思想和情感波澜，不和谐处被极端放大，化作鲁迅沉郁的文字和骇人的意象，惊现于世人面前。如果鲁迅一开始就为妩媚的“月亮”所笼罩，现代文学史恐怕就要改写了。
这，就是朱安的价值。当许广平来到鲁迅身边，鲁迅已经成熟，她看到的，是一个结果。
因此我又想，上帝也许是对的，在他看似荒谬可憎的组合中，包含着深刻的必然。朱安，也许是上帝特意安排到鲁迅身边的。这只小小的在后院寂寞爬行的蜗牛，维系了鲁迅一生的沉重。
鲁迅死时，朱安在北京的宅院里设立灵堂，一身孝服，为鲁迅守灵。
朱安死的时候，身边没有一人。在遗嘱中，朱安说：“灵柩回南，葬在大先生之旁。”
这个愿望显然是无法实现的。她被葬在北京西直门外保福寺村，仍然陪伴她侍候了一生的鲁老太太。
篇2：高中英语作文：鲁迅后院的蜗牛
高中英语作文：鲁迅后院的蜗牛
Think of Zhu An, there is a well in front of you. The deep courtyard, the high wall, the gloomy weather, one is another lonely morning, in the afternoon, the stars in the night. Even if you come to Beijing, you will come to Beijing, where the Eight Road Hutong or Brick Tower is, this well is still as good as it is, almost afraid. Lu Xun is relieved in Zhu An, with a full reason. In 1906, he received a “mother's disease speed back” telegraph, Lu Xun hurried back, but found a light color in the house, and the horror was soon clearly. He did not oppose it, even gave him a fake braid on his family, nor did it expressed a special unhappy. He knows this time, everything opposes things. And Zhu An, an extraordinary Shaoxing woman, short, thin, long face, outstanding amount, small feet, not only unpleasat, even the vitality of the general young woman is almost no one. Although Lu Xun does not take people, I want to see my mother when he saw a “gift” to him. If Zhu An is beautiful, even if it is like Hu Shiyuan with Jiangdong Festival, Lu Xun may also be comfort. But the fact is so cruel. When a friend came to Lu Xun, he said: “It is a mother who marks a wife, there is no matter.” The next night after marriage, he worked in the mother room, did not want to go back to sleep, and later lying in the study inside. On the fifth day after marriage, he excuses “can't be abandoned”, with the elderly Zhou Zuo to Japan. God's heart is sometimes doubtful. Like Lu Xun walking in the forefront of the times in the times, how can I encounter such a most older woman in Zhu An? Lu Xun also wanted to communicate with her. Once, I said that Japan has a dessert, very delicious. Zhu An horse said, yes, I have eaten. She may be too inferior, I am eager to please this “big sir”, and Lu Xun is not fast. That kind of dessert not only Shaoxing didn't, but all China didn't. Lao Lao, Mrs. Lu, also knows what is outside, can look at the new book, she also can't understand. When Lu Xun's student, especially female students came, the bird was in the yard, she couldn't a word, only quietly in her room. Her heart, can you really calm like an appearance? After May 4, the wind was gradually opened, Yu Dawu, Guo Moruo, etc. Some people persuaded Lu Xun to divorce, Lu Xun certainly thoughtfully considered all night, but it was difficult to cross this step. Lu Xun's age is much larger than Yu Dafu, Guo Moruo is much more, and it is deeper than the traditional influence. It can't be placed like Yu Dafu. It is estimated that this is a reason. But he is mainly concerned about Zhu An. According to Shaoxing custom, a woman who married out is returned to the mother, and it will be considered to be “rest”, the family's discrimination, the condemnation of public opinion will make her a very embarrassing situation, and the social status of the family will also be a thousand feet. Some personal weak women will commit suicide. Lu Xun apparently couldn't bear to push Zhu An to such a situation. In “Forty”, Lu Xun talked about the marriage of his own generation: “On the one hand, there is no sin, and it is now the sacrifice of the old habits. Since we consciously consciously, we can't blame the might, so I have to accompany the sacrifice of the world, ending for four thousand years old account. ”This is the great place for Lu Xun. What is great? Can take pain for others, it is great. Yu Dafu, Guo Moruo is romantic, chic, their choice is indiscriminate, but it is obviously nothing to do. And “Sacrifice to the World” is not only Lu Xun, but also Zhu An. Zhu An this woman, marry Lu Xun is really unfortunately unfortunately. If she married an ordinary man is even village husband, may also More than married Lu Xun happiness. The poor and plentiful husband and wife are still a couple, Zhu An and Lu Xun are not a husband and wife. She once appealed to people: “The old lady suspected that I didn't have a son, the big son did not speak different from me, how to live What about your son? ”A woman told outsiders to say this, and the heart can be imagined. The center of her daily life is the mother who serves Lu Xun, and I really should be the words of Lu Xun:“ Is the mother married a wife. ”Compared with Lu Xun, Zhu An is even more unfortunate. Lu Xun is long-awaited, and finally waited until his“ moon ”- Xu Guangping; and Zhu An,“ Be a sacrifice ”, accompanying her, only Mr. Lu, Mrs. Lu, the late daylight, night and night ... Zhu An, who is absorbed with the world, is not a true heart is like a well. In fact, she has been thinking about improving and Lu Xun's relationship, just Lu Xun is in personality and thinking, and there is no chance. Lu Xun and Xu Guangping live in Shanghai and gave birth to the sea infant, and she was a big blow to her. The landlord's sister Yu Fang asked her what to do in the future, she bleak Say: “Mr.
in the past is not good, I want to wait a good service, everything goes, the future will always be good - I am like a snail, from the bottom of the wall, climb, climb Although it is slow, there will always be a day to climb to the top. However, now I have no way, I don't have the strength to climb. I am good for him, it is useless. ”Read this simple and tragic words, I can't help but tears - a snail! I pity Zhuan's hard-working fate, which is more amazed to the accuracy of her situation - every life has it to the world. The sense of understanding. Which one is Lu Xun, I did not think of such a metaphor to describe Zhu An bar? Zhu An Yisheng's suffering, only her know, this metaphor, only she can imagine it. She has no culture, but She knows that she is a snail that will never can't climb the wall. Zhu An is fixed. If the seal of the ceremony is a deep well, Lu Xun and Zhu An are trapped in the well, a little bit I climbed up, Lu Hua solve the hardships, finally climbed up, although it passed through the boss, and Zhu An, I couldn't climb! I can't stand, like Zhu An, a life, what is the meaning? God Why do you want to arrange such a sad tearful tragedy? I have a bit too bold idea: two women in Lu Xun, Zhu An and Xu Guangping, who the impact on Lu Xun is more ,NoIt is Xu Guangping but Zhu An. It is Zhu An, which makes Lu Xun taste the feudalism's depression and the absurdity of humanity, and broken his back, stimulates that he is completely deteriorated, and he is inherent, there is no refraction, and it is unreliable to reflect the seal and build, “desperate struggle with fate” .
The birth of a great man is often forced to have been. Lu Xunwen's cold, biased, stagnant, and Zhuan. In this sense, Zhu An has made Lu Xun. Two contrast vital living are bundled together, stirring huge ideas and emotions, unhappy, turned into Lu Xun's depressed text and horrific image, surprisingly in front of the world. If Lu Xun is shrouded for a charming “Moon” at the beginning, the history of modern literature is probably rewriting. This is the value of Zhu An. During Guangping came to Lu Xun, Lu Xun was already mature, she saw it, it is a result. So I think, God may be right, in his seemingly ridiculous combination, including deep inevitability. Zhu An, perhaps God specially arranged Lu Xun. This little snail crawled in the backyard, which maintained the heavy lunar life. When Lu Xun died, Zhu An set up a hometown in the home of Beijing, a filial piety, for Lu Xun's Ling. When Zhu An died, there was no one around him. In the will, Zhu An said: “Lingqi back to the south, buried by Mr. Grand Sir.” This wishes are obviously unable to achieve. She was buried in the village of Baofu Temple in Beijing West, still accompanied her Lao Lao, who was waiting for a lifetime.
篇3：后院作文
每年暑假我都喜欢外婆家，但是更喜欢的是外婆家的后院。
外婆家的后院很大，后院的围墙是用红砖建成的，经过多年的风吹日晒早已经变成了淡红色，但是却更加漂亮了。
院子东边是几个小小的房子，里面有鸭有鸡，更主要的是有外婆的宝贝猪。而西边是一片土地，上面会种植一些蔬菜，比如辣椒，四季豆，丝瓜和南瓜。东边和西边的分隔处有一排树，用钢网网到树半腰，然后留一扇门。
每天早上喊醒我的不是闹钟而是公鸡的打鸣声，随后来的是鸭的嘎嘎叫，它们排成一排围着圆形水泥池转，非常可爱，在晚一点就是那只宝贝猪了，它是外婆的掌上宝，每天的三餐都是它先吃完饭，我们才开始做饭，夏天很热，蚊子很多，白白胖胖的猪成为了蚊子的进击对象，每次都咬得它嗷嗷大叫，外婆很心疼，给它点蚊香，拍蚊子，看到它睡得香香的才露出满意笑容，这让我很是不满，所以我总是去欺负它，后来它一看见我就躲到猪圈里面。
西边是一片蔬菜地，我最喜欢里面的辣椒和丝瓜，因为辣椒花白白的，小小的，很漂亮，而丝瓜，它长在藤蔓上，总会有七星瓢虫附在叶子上，我会偷偷那个瓶子把他们都抓起来，放一片叶子进去，观察它们是怎么吃的。
每天早上都会跟奶奶进后院，喂完各种小动物之后我们就进蔬菜地采摘蔬菜，明天都会有不同的收获。更漂亮的是中间那排树，当秋天快来的时候，树会开漂亮的小黄花，香味充满了整个院子。
我喜欢外婆家，但更喜欢外婆家的后院，但是暑假总是短暂，小住一段时间后，我要回去上学了，希望明年来的时候外婆家的后院仍旧美丽。
篇4：后院作文
那一季，并不枝繁叶茂，那一季，并不硕果累累，那一季，并不冰花天，而那一季，却是一切的开始。
姥姥家的后院是春的开始，也是我童年的开始。初春，一切都还是冷冷清清，可冥冥之中却藏着意思微弱的生机。终于，桃花再也按捺不住，在一夜之间突然展开了自己华裙的已交，在枯枝上点出了花骨朵---纯洁的白，幼嫩的粉，娇艳的红，交织成一片别样的色彩，让人第一次感到春的气息。
那一片淡雅的景象唤醒了沉睡的后院，就像沉睡的孩子被妈妈唤醒，睁开那惺忪的睡眼，泥土里钻出了一丛丛新绿，小树也抽出了点点鹅黄，那么幼嫩，那么可爱。让我忍不住轻轻地触摸，就像摸着出生婴儿柔软的小脸，让人不由得心头一颠。
当一切都苏醒后，万物都走入正轨时，那温柔的桃花抛掉了温婉的面纱，一怒之下展开了自己的整条礼裙，一树冰清玉洁的白、妩媚诱人的粉或热烈明艳的红，都带有一股迷人的香，让人忍不住将她拥入怀。那小树也忘情地舒展着枝条，枝条上的嫩芽仿佛也在经过春雨的洗礼后疯狂地生长着，变得愈来愈绿，更增添了后院的生机。草儿也不甘示弱，可终究还是改不掉平凡的性格，默默地长高，悄悄地挺直。
哗――一阵春风吹过，顽皮地朝我眨眨眼不由分说地拉起我的手，我带你去玩。它带着我在空中飞着，带着我听鸟儿啾啾，带着我闻花香遍布，带着我轻吻嫩嫩的枝叶。我们在空中留下一串串笑音听的河咧开了嘴，听得蝴蝶欢欣起舞，听得世界都开始了，开始了……
是啊！后院，你是我童年的开始，是啊，春，你和我年纪相仿，我会紧紧拉着你的手，带你在我的时间播种，与你静待夏、秋、冬的灿烂！
篇5：后院作文
那里是一幅油墨未干的风景画，回忆起来恍如隔世，那些含有余温的故事，模糊了……
外公家后院挺大，是由一条石板路铺延开的，走在青色石砖上，与满目的绿对视，总觉得十分爽眼，而脚步，也不禁变得温柔起来。
时不时趴在湿润的泥土上，接触些这里的每雨绿苔与空气，这种与美好擦肩过的怅然，难以形容：后面，是小菜园，时不时有田鼠爬过，还不地啃一口叶子，从远望，那绿，不浓不淡，随着深灰的栅栏一齐延伸出去；隔壁家那矮小的房子好似爬上房沿便能揭瓦，风一吹就掉下杂草；而那窗子总是很小，总能见到上面用米糊着的陈年报纸，发黄的纸面还隐约能瞧见报刊；外公家的白墙，覆满了小时候的涂鸦，有大有小，杂七杂八，让我感兴趣的还是那个在饼似的人脸，好像，是童年的招牌。
当年，我与几个小伙伴在黄叶纷飞的秋季中挨着后院的墙根坐下，头靠头，肩擦肩，碎碎叨叨着些什么，我也记不清，不过那些玩具还记忆犹新：我手拿一个小狗，学着狗声叫着，还挂在银杏树上，不下来，伙伴们却没有一个敢上来，只能由我一个个用叶子点过去，有的还有些薄相地哭了，但都是装的，不久后，就破涕为笑了。
母亲不让我吃冰棍，我瞒着她，与几个女生聊八卦，一齐去后院买冰棍……因为太热，我躲在后院一口气吃了三四根，还剩一根，眼看就到家了，就幼稚的以为梧衣服里，就还能吃，虽是躲过一次，但――衣服里只剩一根木棍，边上全湿了……但――衣服里只剩一根木棍，边上全湿了……从此，我再不吃冰棍了。
小时候，我不睡觉，外婆就把我带到院中，捎上被子，给我讲个故事：“从前，一个女孩不睡觉，被大狠抓去……”“不！”我把头捂在被窝中，不出声，木木地看着外婆：“陪我嘛！”外婆嘀咕：“傻瓜，快睡吧，不然大灰狼来了！”
后来，我长大了，又用手推开这不安生的院门，再次回首，找后院中封存的朋友，外婆与星星点点的童年。
篇6：后院作文
我家有一个后院，不大不小，刚好容下我们一家；不长不短，刚好容下四季；不高不矮，刚好容下微风细雨，别有一番风味。
后院是当初建房子时特意留出来的，当时受田园诗人陶渊明的影响，也想来个“采菊东篱下，悠然见南山”式的诗情画意。想着院里要有大树，伴我成长；要有种菜栽花的土地，闲来撒上一把种子，翻垦土地，锄草除虫，亲近一下土地。当赤着脚踩在泥土中，我仿佛可以听见土地的呼唤，感受大地的脉搏。中国人，始终有种恋土情结。
第一年，父亲带着我在院里种了三棵树，本来那棵葡萄树被母亲不小心一盆热水浇了上去，谁知来年春天又发了新芽，生命力甚是顽强；桃树生长倒很是旺盛，第二年便开了花，一树嫣红招来不少蜂蝶，全家都等着吃桃子呢，却在花开正艳时为生计四处奔波，我也在求学的路上，不免辜负了一树美景，再回家时，桃花依旧，家中无人，倒是趁机体会了一下“人面不知何处去，桃花依旧笑春风”的悲伤。相比其他两棵树，这第三棵不知什么品种，却也传奇，买树时老伯说是杏树，长了三年没见开花，看叶子倒像是梨树，真让人啼笑皆非，盼它能争口气，结个果，也了了这一桩悬案。
院里还种了几处豆和一些蔬菜，长势很好，种它们无须多关心，只要浇水，过段时间自然豆熟子落，让人很放心，我也乐得清闲，心血来潮就去除除草，松松土。开始“业务”不熟练，看见中午豆子种下土都开裂忙去浇水，结果豆苗全毁了，后来才知道原来暴晒下猛地浇水会伤根，应该在日落浇水。真是“看花容易栽花难”，田里的学问多着呢。
后院最具代表性的季节莫过于夏季，阵阵微风赶走闷热，阵阵蝉鸣迎来夏天。葡萄藤早已爬上搭好的架子上，带来一片绿荫，青翠欲滴地葡萄也显出真容，菜地也是一片绿油油的光景，看着甚为喜人。午后搬着小竹椅放在藤下，紫砂壶泡着香茗，翻一本古书，仿佛穿越时空，连微风都带有悠长的韵味。
如果，你家也有一方小院，你可以种上花草，感受纯真年代里土地的歌；可以贴近父辈的身影，踩着他们的足迹，在一方小天地里，看四季来回，赏花开花落。
篇7：后院作文
坐在新家里，我有种莫名的惆怅。打开窗，在心底的某一个角落，是我思念的后院……
我出生在一个僻静的小乡村。到了懂事的年龄，我最喜欢跑到后院玩耍。
后院总是一副生机勃勃的景象：花朵簇拥成一团，风一吹，就跳起舞来；时不时，不知从哪儿飞出一些蝴蝶把你吓一跳；隔壁的小猫常常在花丛间乱窜，这看那看，像个旅行家。我，也最喜欢搬出颜料和画纸，让后院的美景在画纸上呈现，累了，就索性躺在地上，看湛蓝的天空，看飘浮的白云。
没几个月，后院大树的叶子已变成了金黄色。远远望去，仿佛一副美丽的画卷。我在两棵挨得近的树上，各绑根绳，再栓上一块木板，做成了我梦中的秋千。我坐上去，双脚一蹬，秋千越荡越高。我闭上眼，想象自己在天空中飞翔，在云朵上睡觉，结果却从秋千上摔了下来。有了秋千的“启发”，我便在后院里建起了属于自己的乐园：跷跷板、滑梯、城堡、爬草网……
后院也是个学习的宝库，隐藏着无穷的奥秘。我可以采集树叶做标本，可以记录各种花草的生长情况，也可以研究植物的种类。
再大些，我必须要回大城市上学了。我虽然有些激动，却舍不得后院。它毕竟是我童年时最喜欢的地方呀！
分别的那天，蝴蝶照常忙碌地飞来飞去，小猫仍跑出来玩耍，大树依然屹立着。来年，大树还会抽出嫩嫩的新芽。然而，我却看不到这一幕了。上了车，我最留恋的红砖房已快隐没在背后绿油油的森林中了，袅袅青烟渐渐消散。我鼻尖一酸，只觉眼角有些湿润，有什么东西在闪烁……
一阵微风将我的思绪拉了回来。那棵大树现在一定变得枝繁叶茂了吧？新家确实更舒适、更豪华，却比不上留存着我欢声笑语的后院。那里永远是我最向往的地方。再见了，后院！那些日子，我会珍藏在心间。
